Éowyn (
shieldofrohan) wrote in
kingdomcomes2017-05-10 02:35 pm
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Entry tags:
[OPEN] - a strange new land
Who: Éowyn and anyone else who happens to be around
What: A princess from Catholic Fantasy Land deals with arriving in a sex world, is confused.
When: May 8-10
Where: The castle (both the barracks and around the place generally), the village, and the forest.
Warnings: TBD
i. the barracks
There's no question that this is where she'd end up. There's plenty that discomfits her about the situation, from the idea of being tattooed to the thought of pledging her service to anyone but her King, but she's too proud to leave and too hot-blooded for the position not to appeal to her. For a long time, she's wanted nothing more than to fight. However much she knows she needs to go home (and she does, her uncle needs her there), the idea of being a soldier is too tempting to turn down.
But it's still a lot to take in, which is why for the first couple of nights in the castle, she can be found sitting cross-legged on her pallet in the clothes she was wearing when she got here, turning over the breastplate she was given in her hands and considering it. Occasionally, she says things under her breath that sound an awful lot like "but why?"
ii. around the castle
Éowyn has always prided herself on her sense of direction. But this place is unlike anywhere she's been before, with its complicated winding passageways and floors upon floors - very different to the open layout of Edoras. It takes some getting used to, is the point. And, as she's far too embarrassed to ask for another tour, she can be seen when off-shift, checking her map against the corridors with a frown.
And it isn't just the size of the place. It seems like every time she rounds a corner, there's something else to wonder at - and by wonder at, she mostly means wonder why. She's sheltered but not naive, and it isn't that she doesn't know what a dick is or even what some of the sex stuff is probably used for. She just doesn't know why you would put it everywhere. Don't they have anything better to use that space for? (Also, shut up, she's not blushing. That's, uh, the shadow of the helmet. Sure.)
She finds herself standing and staring a lot. At the paintings, for example. Her frown's obscured a little by her helmet, but it's still obvious.
"Is this common? In other lands, or only this?"
iii. the village and surroundings
Yes, it's confusing. Yes, it's more than a little disconcerting. But after all this time all but trapped in her uncle's hall, with duty always bearing down on her, it's also incredibly freeing to be here, where there's time off.
Frankly, that's not a concept she's ever really had. She's the Lady of Edoras, responsible for the household and her uncle's care and the reputation of the House of Éorl. Free time doesn't factor heavily into all that. It's actually pretty intoxicating to be able to just walk, breathe the free air, and to know that she could do just about anything and nobody would need to know. So she spends a lot of time wandering, taking in the sights. You can find her in the forest, humming under her breath as she walks without direction, or sitting on hilltops, or meandering through the village.
Or you can find her on the second day after her arrival, walking around the village with little scrapes and cuts on her bare thighs, accosting passers-by to ask where, in all of this, she can find a pair of leggings.
What: A princess from Catholic Fantasy Land deals with arriving in a sex world, is confused.
When: May 8-10
Where: The castle (both the barracks and around the place generally), the village, and the forest.
Warnings: TBD
i. the barracks
There's no question that this is where she'd end up. There's plenty that discomfits her about the situation, from the idea of being tattooed to the thought of pledging her service to anyone but her King, but she's too proud to leave and too hot-blooded for the position not to appeal to her. For a long time, she's wanted nothing more than to fight. However much she knows she needs to go home (and she does, her uncle needs her there), the idea of being a soldier is too tempting to turn down.
But it's still a lot to take in, which is why for the first couple of nights in the castle, she can be found sitting cross-legged on her pallet in the clothes she was wearing when she got here, turning over the breastplate she was given in her hands and considering it. Occasionally, she says things under her breath that sound an awful lot like "but why?"
ii. around the castle
Éowyn has always prided herself on her sense of direction. But this place is unlike anywhere she's been before, with its complicated winding passageways and floors upon floors - very different to the open layout of Edoras. It takes some getting used to, is the point. And, as she's far too embarrassed to ask for another tour, she can be seen when off-shift, checking her map against the corridors with a frown.
And it isn't just the size of the place. It seems like every time she rounds a corner, there's something else to wonder at - and by wonder at, she mostly means wonder why. She's sheltered but not naive, and it isn't that she doesn't know what a dick is or even what some of the sex stuff is probably used for. She just doesn't know why you would put it everywhere. Don't they have anything better to use that space for? (Also, shut up, she's not blushing. That's, uh, the shadow of the helmet. Sure.)
She finds herself standing and staring a lot. At the paintings, for example. Her frown's obscured a little by her helmet, but it's still obvious.
"Is this common? In other lands, or only this?"
iii. the village and surroundings
Yes, it's confusing. Yes, it's more than a little disconcerting. But after all this time all but trapped in her uncle's hall, with duty always bearing down on her, it's also incredibly freeing to be here, where there's time off.
Frankly, that's not a concept she's ever really had. She's the Lady of Edoras, responsible for the household and her uncle's care and the reputation of the House of Éorl. Free time doesn't factor heavily into all that. It's actually pretty intoxicating to be able to just walk, breathe the free air, and to know that she could do just about anything and nobody would need to know. So she spends a lot of time wandering, taking in the sights. You can find her in the forest, humming under her breath as she walks without direction, or sitting on hilltops, or meandering through the village.
Or you can find her on the second day after her arrival, walking around the village with little scrapes and cuts on her bare thighs, accosting passers-by to ask where, in all of this, she can find a pair of leggings.
II.
"I don't...think so. Not to this degree, anyway." He crosses his arms and studies what is an incredibly detailed oil painting of the Mistress pegging what must be the leader of an enemy kingdom. "The castle I grew up around was full of paintings that moved and talked, but none of those were quite so...colorful."
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But it's the other part of what he says that catches her attention. She turns to look at him, eyebrows raised. "Moved and talked? You do not speak in poetry there, I take it?" He sounds like he meant it literally, and, well, clearly magic here is very different to how she's always been raised to consider it.
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There's a gleam in his eye that seems to be ever-present when he thinks about Hogwarts. The place that gave him a second chance at a normal life.
"The art, every single painting, was enchanted. You could hold a conversation with a portrait of someone who'd been dead a couple hundred years, if you caught him or her in the right mood."
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Giddying, and a little unnerving. She clears her throat, trying to push away her too-obvious wonder at what he's saying. She's a grown noblewoman, and she oughtn't to gape at things like a child being told a story.
"Is it not strange? To speak with those long-dead? Do they know they are... well, paintings?"
She has so many questions right now.
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Sir Cadogan.
"—they'll follow you from frame to frame, trying to keep your attention."
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"Well...when it's so commonplace, you grow used to it. It's just another part of everyday life."
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Her smile is brief, and it doesn't reach her eyes. "Even this may in time grow commonplace." Meaning the pegging painting, obviously.
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"The paintings themselves, or the...the acts portrayed?"
Because really, the answer is probably both.
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II
(Are they still homoerotic if he's roleplaying as the Mistress? He isn't technically writing anything gay, but it still feels kind of gay. Except when he's addressing women, in which case he is indeed technically writing gay stuff but his masculinity feels solid and reassured. Complex stuff!!!)
In any case, right now, it feels like this conversation is going to be a lot more entertaining, if less profitable, than what he's been doing.
"Nah, we're just in some kind of weird porn utopia!" He shrugs, amused. "You new around here? I don't remember seeing your face around here before, and believe me, I'm pretty sure I would remember seeing it."
It takes a lot of self-restraint not to wink.
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After all, seriously? Even to a woman who hasn't exactly been openly hit on that much, that's some pretty hackneyed flirting.
"I hope you are aware," she says, in a voice so cool it seems to suck the warmth out of the air around her, "that you speak nonsense, to my ears." What's a porn? What's a utopia? These are not words with a precedent or a translation where she's from. "But as to your question... Yes, I am new."
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"Sorry, sorry!" He throws his hands in the air in a show of apology. "Let's see. Porn is short for pornography, AKA the ancient art of material made for the express purpose of getting someone hot and bothered. Or aroused, I guess, just so you don't think I'm being literal there. A utopia is..."
He pauses.
"... Well, see, it's actually a literary concept, yeah? Like a paradise that no society in the real world could ever hope to achieve..."
It's an accurate enough explanation, but... he somehow sounds pretty cavalier, almost mocking, about it.
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"Pornography," she says at last, considering it. "I have never come across such a thing."
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Also, she's been way too busy.
"North and west of Gondor," she adds, after a moment, since this is a distant land and Rohan a relatively small nation, politically speaking (much as it pains her to admit it). "Among the White Mountains."
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Kaph has played enough Western RPGs to know all those names sound like some fantasy nonsense.
Not that he's surprised, exactly; after talking to Angel in his first or second day here, he heard enough to suspect the Mistress was somehow pulling people from all sorts of places. But still?
Well, it's kind of weird.
"So, not Earth."
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i'm sorry about this terrible man
never apologise for Art
iii
He has been tasked with picking plants for the local apothecary, so he has a list (with ugly pictures he's attempted to draw himself) and a basket to fill. He's not looking particularly pleased by anything, in contrast to Eowyn who is Disney Princess levels of elated and carefree. He stops to raise a brow at her when hey cross paths, before he decides to man up and talk.
"You look like you're happy to be here." He sounds almost impressed. "That doesn't happen much."
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"Should I not be?" She gestures around herself. "The sun shines, the day is fine, and I am free. I may not have chosen this place, but it would be ill grace to scorn it."
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"Are you gonna hang around the castle or come live in the village? Because living in the village takes the shine out of the peaceful, fantasy-land life real fast, I'm telling you. They don't even have showers."
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Clearing her throat, she rolls her shoulders back and answers the original question. "I have lodgings at the castle. As a guard, though peaceful as it is, I imagine I shall see little combat."
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"A shower is a cubicle that sprays nice, warm water on you so you can get clean. Kind of like portable, temperament rain. I miss it." And she probably doesn't care, but he's telling her anyway.
"Guess I should stop shitting on your happiness then. Welcome to the fold, grasshopper. My name is Dave, I am a peasant." He flourishes his hand, as if half-heartedly bowing, then gestures to the crap he's carrying around so she really knows he's a peasant.
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"Éowyn, Éomund's daughter." She dips into something that's half-curtsey, half-bow, and much more graceful than his sarcastic-looking salute. It feels awkward, mind you, because she isn't wearing her usual long skirts. Hell, she isn't even wearing trousers. "If not pleasure, what brings you so far from the village, Dave?" Her pronunciation of his name is very careful, and just a little accented, sounding more like daef, but she's trying.
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"I'm picking plants so I can afford to live." He says it plainly, he's not whining, really. "Only there's a lot of plants out here and I've never consumed a vegetable, so I don't really know what I'm looking for."
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